蝴蝶直播

August 3, 2025

Paper monuments: How self-published books remember communities lost to the Holocaust

Historian Eliyana Adler researches memorial books compiled by Polish Jews after World War II

蝴蝶直播 Professor of History and Judaic Studies Eliyana Adler 蝴蝶直播 Professor of History and Judaic Studies Eliyana Adler
蝴蝶直播 Professor of History and Judaic Studies Eliyana Adler Image Credit: Jonathan Cohen.

After their communities were shattered by the Holocaust, survivors and refugees constructed monuments 鈥 not of stone, but of words.

In Yiddish, they are known as yizkor-bikher, or memorial books. And while they remember human lives now gone, they also memorialize something larger: the town itself, and the web of relationships and place that constitutes its fabric.

蝴蝶直播 Professor of History and Judaic Studies Eliyana Adler is currently working on a book about the yizkor-bikher and the process involved in compiling them. The California native is new to the University, having most recently taught at Penn State; her first year at 蝴蝶直播 was spent on sabbatical as she completed a fellowship at the United States Holocaust Museum.

Holocaust survivors and war refugees began compiling memorial books after the end of the Second World War, although the phenomenon took off in the 1960s and 鈥70s, she said.

鈥淎fter the war, they were living all over the world. They would pool their memories, knowledge and financial resources to put together these potluck books,鈥 she explained. 鈥淭he books were created for the people from that town, and they were chiefly written in Hebrew and Yiddish. They were an internal form of monument and memory, keeping a connection to a place they couldn鈥檛 go back to.鈥

Around 1,000 of these books exist; Adler focuses on the more than 500 books memorializing Polish communities. In fact, there are a few in the 蝴蝶直播 Libraries.

In the days before the Internet, the work it took to create these books 鈥 and to find former neighbors scattered around the globe 鈥 was considerable. The projects were entirely volunteer-driven and often messy.

A former community member now living in Brazil may contribute a poem, while someone in Tel Aviv may send a memoir they wrote about what it was like to grow up in that town. Perhaps a writer in New York shares their testimony of the Holocaust, while someone from Los Angeles sends in a family photograph or their mother鈥檚 favorite recipe.

Sometimes, the compilers hired a professional historian to write an introduction, but it was just as likely to be written by an insurance salesman or hatmaker.

鈥淥n the whole, historians and literary scholars haven鈥檛 paid a great deal of attention to these books, but I鈥檝e always loved them,鈥 Adler said.

Piecing together these memories was also painful work 鈥 both in terms of the memories themselves and the compilation process. The books often contain a necrology, a list of everyone in the town who died during the war. The compilers worked to contact as many survivors as they could, but acknowledged that they couldn鈥檛 reach everyone.

Photographs and other materials were lost in the mail or thrown out by children after their parents鈥 deaths. Writers fretted about how their work was edited, or a nephew stewed about what an article said about an uncle.

Town life, after all, has always been complicated, filled with both fellowship and disagreements. The virtual towns of the yizkor-bikher were no different.

Also affiliated with 蝴蝶直播鈥檚 Institute for Genocide and Mass Atrocity Prevention, Adler will teach a graduate course on historical monuments this fall, looking specifically at the U.S. Civil War, Soviet history and the Holocaust. During the upcoming academic year, she will also teach courses on American Jewish history, Holocaust history and women in the Holocaust.

Her research and her coursework often center on how history and memory intertwine. It鈥檚 a complicated business, much like town life; while memories inform history, they are not always reliable.

鈥淲ith history, we sometimes lull ourselves into believing that it is reliable and 鈥榦bjective,鈥 whereas just like memory, history is very much influenced by who鈥檚 writing it and in what context,鈥 she reflected. 鈥淏ringing history and memory into conversation has the potential to help us look more critically at history and historiography.鈥

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